CELEBRITY ENCOUNTERS
My
first professional theatre job was Lighting Director
at the Starlight Theater
in Kansas City, Missouri, which billed itself as the "second
largest theatre in the United States," with some 8,000
seats and lawn seating for some 6,000 more. We performed
seven nights a week, with dress rehearsals begriming at
midnight on Saturdays, and playing a new Broadway musical
each week for ten weeks. This was my first experience
meeting and working with professional performers and celebrated
individuals, and I have been fortunate to meet others over
the years.
Senator
and Mrs. John F. Kennedy strolled past the Georgetown
University Mask and Bauble Offices one Sunday afternoon
and stopped to say hello when students rushed out to greet
them. Mrs. Kennedy remembered this occasion, and when the
Kennedys moved to The White House, I received a call inviting
us to provide lighting and technical support for East Room
performances, which we did throughout the Kennedy and Johnson
administrations. Of course, many notables were in every
audience. Subsequently, as President of the National Theatre,
I met other celebrities. However fleeting, encounters with
the famous are fun and memorable, but I never really thought
much about asking for autographs or photo ops. I recall
happily some of the notables I encountered -- now living
and dead -- here. |
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Pearl
Bailey - 1918 – 1990
I first saw "Pearly Mae" in vaudeville at the
Lincoln Theatre in Washington. The theatre had fallen on
hard times and Miss Bailey caught her heel in a crack in
the stage floor. Of course she responded with a wilting
ad-lib about the management. I wrote a fan letter and months
later received a hand-written response on pale blue stationery.
I met her later when she played the National Theatre in
Hello, Dolly! and saw her often on the Georgetown
University campus when she came to take classes while
I was teaching there. Sassy, classy, talented lady.
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Warren
Beatty - 1937
I met Mr. Beatty very briefly when I was studying at the University
of Wisconsin and he was shooting scenes for a film on location
in Chicago. He was, let's say, stoic, as opposed to gregarious.
Well, he was an actor at the end of a long day's shooting
so we can't hold that against him. I am told that Warren was
a stage doorman at the National Theatre as a teenager, and
his sister, Shirley MacLaine, was an usher. The stage door
opened directly into an alley and NT Theatre lore has it that
one of his duties was chasing rats out of the alley before
the stars arrived or departed. The alley, fortunately, no
longer exists.
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Harry
Blackstone, Sr. - 1885-1965
"The Great Blackstone," a childhood idol, was the
last of the old-time magicians with an elaborate traveling
show. In a more innocent time, my parents allowed a group
of us - in about the fourth grade - to go un-chaperoned by
bus from Leavenworth, Kansas to the Tower Theatre in Kansas
City Missouri, to see his performance, which was sandwiched
between film showings. We arranged to arrive just in time
to see his first show from the back of the theatre. We would
then rush to the front of the auditorium to get first-row
seats for the movie and the next state show. Getting Mr. Blackstone's
autograph backstage was my first up-close brush with celebrity.
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Theodore
Bikel - 1924
Tamara Brooks
- 1941-2012
I had the pleasure of playing a major role onstage with
Mr. Bikel in a reading of Tennessee Williams Ten Blocks
on the Camino Real. We performed in Georgetown's elegant
old Gaston Hall in 2011, with a large cast of students,
alumni and local actors, directed by Professor Derek A.
Goldman. We all had a marvelous experience with the gentlemanly
Mr. B., and his engaging wife, conductor Tamara Brooks,
who also participated in the production, creating a variety
of grand sound effects. Tamara was an advocate for victims
of childhood violence.
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Patrick
Buchanan - 1938
Pat was a student of mine in a Public Speaking course at Georgetown
University. He was then, as now, talkative, rambunctious,
strongly opinionated, and, as I remember, disruptive. He got
a low grade at the quarter and was unhappy with me for not
giving him a better final grade in the course, although his
class participation and performance did not, in my recollection,
improve.
But he certainly learned to speak in public...
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President
George H.W. - 1924
and Barbara
Bush - 1925
The White House brought wine and hors d'oeuvres for
an intimate intermission party in a secluded hallway at The
National Theatre at a performance of The Music of Andrew
Lloyd Webber. The President, his wife, and other members
of the family were present. Mrs. Bush somewhat unpatriotically
lamented that, "We should have more shows like this.
Not that... that... Tennessee Williams stuff!"
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Alyson
Cambridge
The opera singer grew up two doors away from me in Arlington,
Virginia. I once succeeded in getting her to sing for the
guests at a neighborhood party. It was an amazing pleasure
to watch her ascend to appearances at major opera houses
all over the world. In 2012 the Chicago Lyric Opera hung
a 5-story poster of Alyson on the outside of its building.
She's come a long way from Arlington.
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Julia
Cameron - 1948
The author of many inspirational books, and developer of
"The Artist's Way," a guide to increased creativity,
Julia is a prolific writer and a spiritual, motivational
guide to many people. I directed her as a dancer in an original
musical when she was a student at Georgetown. She was bright,
charming and easy to work with.
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Carol
Channing - 1921
The indomitable "Dolly" performed at the National
Theatre on a number of occasions. I once accompanied her
to the Washington Press Club where she made a delightful
speech. We have maintained personal contact over the years.
Carol is a Larger-than-Life Force and a truly gracious,
giving and generous person.
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Bill
Clinton - 1946
I met President Clinton when he came to a performance of
Grease at the National Theatre and came backstage
to meet Rosie O'Donnell and the cast. He certainly has an
open and electric personality and seems genuinely pleased
to meet people. His exuberance is infectious. |
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Hilary
Clinton - 1947
My friend, Cynthia Schneider, induced me to buy a $25 ticket
to a fundraiser for Bill Clinton, someone I had never heard
of. I waited in the back of a dimly-lit DC bar with a small
stage on which he finally appeared. After his speech, he was
mobbed, but Hilary went unnoticed, so I chatted with her.
She was relaxed and charming. I met her again when she attended
a reading I directed in the Helen Hayes Gallery in 1997. |
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Dame
Edna Everage (Barry Humphries)-
1934
When an after-performance party was arranged in the National
Theatre Helen Hayes Gallery, Dame Edna came in the charming
person of Mr. Barry Humphries, an elegant Australian gentleman
in three-piece suit with a gold watch chain on his vest.
Mr. Humphries was just as charming and just as quick-witted,
although not quite as acerbic as his grand, quick-witted,
tart-tongued, violet-haired alter-ego, Dame Edna Everage.
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Placido
Domingo - 1941
When I was president of the National Theatre and Mr. Domingo
was heading the Washington Opera, he came one day to inspect
the National as a possible venue for chamber opera. He was
all business, accompanied by a party of some half-dozen
people, and was disappointingly brisk and moody rather than
gracious.
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Catherine
Doucet - 1875-1958
Miss Doucet was a stage and film actress who appeared in
the summer of 1954 at Olney Theatre, where I was working
as a stage technician. We ate in a communal dining room
where she enjoyed shocking the summer interns by eating
the shells of her soft-boiled eggs each morning, declaring
them a healthful source of calcium. She was a vivacious,
impressive presence.
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Garth
Drabinsky - 1949
Canadian producer of the brilliant stage musical Kiss
of the Spiderwoman, and my all-time-favorite musical
Ragtime, came to the National Theatre when the latter
show tried out pre-Broadway. At a reception on that occasion,
as he shook my hand, he looked away to see who else was in
the room. Not impressive. In 2009, he was convicted and sentenced
to prison for fraud and forgery. His sentence is stayed, pending
appeal.
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Athol
Fugard - 1932
The celebrated South African playwright and actor came to
my playwriting class in the Walsh building and was both eloquent
and practical. Very down-to-earth, he connected immediately
with the students and gave them broad insights and encouragement
in their playwriting, and its power. He was an exemplar as
a humble artist who substantially changed his own society
and country. He seemed to me a great and grounded man.
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Henry
Gibson - 1935-2009
We studied at Catholic university together, and as scholarship
students, worked together in the Speech and Drama Department
office - protégés of Father Hartke. Henry was
at that time James Bateman, bright, energetic, and already
endowed with a zesty sense of humor. As a well-educated actor
and a man with a lovable mischievousness, he chose a stage
name apparently alluding to the dour Scandinavian playwright,
Henrik Ibsen. Jimmy was eager, pleasant and understated, with
an infectious laugh and a generous nature.
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Brendan
Gill - 1914–1997
The author of 15 books, Brendan wrote regularly for the New
Yorker magazine for almost sixty years. I served with
him on the faculty at a three-week session of the Salzburg
Seminar one summer in Austria. He was the epitome of
sophistication, a great storyteller with a wry Irish wit and
a zesty enthusiasm for life, and he was as kind as anyone
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Gilbert
V. Hartke, O.P. - 1907-1986
A child film actor and Notre Dame football player, Father
Hartke established the famed Speech and Drama Department
at Catholic University, which has produced countless actors,
writers, directors and producers which achievements on
stage, in films, and in academia. With a larger-than-life
personality, Hartke
"knew everyone" in show business and in Washington,
DC. He lunched and dined with notables, but returned each
night to the Dominican House near Catholic University.
He was my mentor, and I owe my career to him.
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Helen
Hayes - 1900-1993
With Stephen Moore, I had the pleasure of meeting Helen
Hayes a number of times when we were writing a book about
her. We spent a day with her in her charming home in Nyack,
NY. I met her again at the home of Richard Coe, and again
on the occasion when we dedicated the Helen Hayes Gallery
at the National Theatre in her honor. She was lively,
witty, cordial, and kind on all occasions. After the dedication
someone suggested she return to her hotel to rest. "Gracious,
no!" she replied, "We must go see the show at
the National Gallery of art!"
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Jim
Henson - 1936 - 1990
The creator of the Muppets was a recent college
graduate when I worked for a summer as a Floor Manager at
NBC-TV Channel 4 in Washington. He did solo live commercials
on a table-top set for a local dairy, with cartons of milk
and his puppet moppets. He was genial and accommodating,
and we hurried him out of the way for the upcoming live
News Show, when we should have been offering to work for
him! Nice man, whose grand Muppet characters live on.
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Katherine
Hepburn - 1907-2003
Miss Hepburn came to the National Theatre in 1975 to perform
in Enid Bagnold's play, A Matter of Gravity.
I was in the welcoming party when Heburn arrived and was
brought through the theatre's then run-down auditorium
on the way to her dressing room. Paint was peeling high
on the wall above the box to the right of the stage. The
star stopped abruptly mid-aisle with an icy glare. "If
you don't have anyone available to paint that wall, then
get me a ladder and I will do it myself!" The wall
was quickly painted for her opening night.
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Delores
DeFina Hope - 1908-2011
In 1962, at Georgetown University, I directed an original
musical called Show Me the Way to Go, Homer written
by Tony Hope, the son of Bob and Delores. Tony's mother, a
singer in her own right, came to see the performance in Holy
Trinity Theatre and we sat together. She was the epitome of
charm, elegance and graciousness.
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Sally
Ann Howes - 1930
The delightful British actress, born into a London theatrical
family, appeared in many film roles in childhood, and eventually
followed Julie Andrews
on Broadway in the original My Fair Lady,
and played Eliza in many other productions
of the musical. She won a Tony Award on for Brigadoon
on Broadway, and she repeated that role on television. Her
long career included many other stage appearances and films
including Chitty Chitty Bang Bang and Anna
Karennina. I met her at a party given by the Patrick
Flynns, Senior and Junior, in Florida, 2012.
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José
Iturgi - 1895-1980
and Dame
Amparo Iturbi Báguena 1898-1969
A famous pianist and harpsichordist, José came with
his sister to play a dual-piano concert at Fort Leavenworth
as part of a Community Concert Series when I was
in high school. They cordially signed autographs for me after
the performance. José appeared in several Hollywood
films.
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Michael
Jackson - 1958-2009
I attended one of Mr. Jackson's early concerts and remember
little about it except the massive crowd between us and
the singer, who was barely discernable in the far distance.
Some years later, hearing in the lobby of the Hale Koa
hotel in Hawaii that he was about to arrive at the
Hilton next door, I went over for a closer look. There were
few people around as the singer emerged from his limousine
surounded by security guards. Michael waved, and swiftly
disappeared into the hotel.
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Bernard
Jacobs - 1916-1996
Mr. Jacobs began his career as a young lawyer working for
the Shubert brothers, and after a tumultuous period, rose
to the Presidency of the Organization. Intense and intimidating,
Bernie and I had a long, occasionally stormy relationship
when the Shubert Organization took over the management of
The National Theatre, when I was its President. We always
managed to remain friends nevertheless. |
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Lyndon
Johnson and Claudia
"Lady Bird" Johnson
1908-1973 1912-2007
Most remarkably, I remember a day we were at the White House
setting up lighting all day. In the afternoon I heard the
President speak out on the South Lawn to a large number
of political supporters. He wore a cowboy hat and boots,
and spoke in a very folksy down-home drawl. That evening
in the East Room, he wore black tie, and spoke with very
elegant distinction. Lady Bird was always graceful and dignified,
and Lynda Bird vociferous. Lucy was studying at Georgetown
at this time.
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Cherry
Jones - 1956
When she came to the National Theatre starring as the stern
nun in Doubt, our mutual friend, Julia Pomeroy,
asked Ms. Jones if she would host a small reception for
our intimate National Theatre Circle. She responded,
"I will be there, and I shall shake every hand!"
Which, true to her word, she did, with great warmth and
elan: She is stunning onstage and charming off.
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John
F. Kennedy - 1917-1963
In a receiving line at The White House, he reached
across in front of the Shah of Iran to thank me for assisting
with the East Room theatricals. I saw him "in action"
with White House guests dozens of times, always energetic
and outgoing. Social Secretary Letitia Baldridge and Head
Usher J.B. West were efficient, effervescent, and occasionally
mischievous members of the Kennedy White House Staff. Both
wrote books about those heady days.
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Robert
F. Kennedy - 1925-1968
The young Attorney General was his own man. I first saw him
in person was sitting at the rear of the audience at a very
formal White House concert, jovially smoking a cigar. I met
him again, at the Press Club, and had this picture taken with
him. He was handsome and magnetic.
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Brooks
Laich - 1983
An amazing hockey player with
the Washington Capitals, Brooks is the quintessential Canadian
gentleman. I met him by sheer accident and he has become a
friend whom I see occasionally. He seems as serious, honorable
and laser-focused off the ice as on, but with a cool sense
of humor: a remarkable, low-key, highly disciplined young
man in every respect. He gives hockey, sports and
Canadians, a good name.
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Joshhua
Logan - 1908-1988
Mr. Logan directed many original Broadway productions
including Bus Stop and Picnic and the musicals
Annie Get Your Gun, Fanny, Paint Your Wagon and Wish
You Were Here, and South Pacific, both on stage
and on film, and won Academy Awards. He was married to the
charming former actress, Nedda Harrington. It was my pleasure
to be their host at a dinner of the College of Fellows of
the American Theatre, arranged by Margaret Lynn. The conversation
was memorable and spirited.
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Margaret
Lynn - 1924-2002
A graduate of the Catholic University Speech and
Drama Department, Ms. Lynn was my close personal friend, mentor
and colleague. She was a Radio City Rockette, and understudied
Ethel Merman on Broadway. She was then a USO entertainer overseas,
and organized the U.S. Army Entertainment Program, which she
headed for many years. She was the tireless champion for hundreds
of civilian entertainment directors across the globe, creating
resource materials, bringing them to Washington for workshops
and establishing awards honoring their work.
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Jeanette
MacDonald - 1903-1965
Famous for screen roles opposite Nelson Eddy, Miss
McDonald starred at the Starlight Theater in The King
and I. She was cordial, but quite proper and formal.
One evening I stepped into the chorus rehearsal room and saw
Miss MacDonald taking a nap on a couch with a towel over her
eyes in the center of the large empty room. She used the space
as her dressing room, and the floor was covered with white
sheets to protect the enormous hoop skirts which she wore.
I slipped out immediately, but the scene was unforgettable.
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General
Douglas MacArthur - 1880-1964
I did not meet the General in person, but when, in
1951, an angry President Truman removed him from his position
of Supreme Commander in Japan for insubordination, he made
a triumphant return to the United States. As a Corporal stationed
at Fort Sheridan, Illinois, I saw him in an enormous crowd
at Soldier Field in Chicago. After suitable preliminaries
the lights darkened, and MacArthur appeared in an open convertible,
in a cloud of exhaust from a ring of police motorcycles, and
lit by perhaps a dozen arc follow-spots. I had the uneasy
feeling that had he wanted to depose Truman and become dictator
he just might have managed it.
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Giselle
Mackenzie - 1927-2003
Then a very popular Canadian film star and singer, Giselle
appeared at the Starlight Theater in Kansas City.
She was gracious and unassuming, but could be very formal.
My most vivid recollection is that she greeted fans backstage
very methodically, sitting at a little table as her admirers
stood in line for autographs.
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Rachel
Maddow - 1973
Having spent many of my adult weekday nights in
rehearsals at Georgetown, The American Light Opera Company,
or Chestnut Lodge Hospital, and many of my weekend nights
either going to theatre, partying, or otherwise enjoying
myself, I can honestly say that I never, ever, watched a
television series with any consistency... that is until
Rachel came along. Now I'm tuned in five nights a week.
I encountered her briefly at a fundraising dinner, just
long enough to give her a compliment and a hug. She was
most gracious.
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David
Murphy
My nephew, David, has had a long and successful career as
a newscaster and weatherman on ABC Channel 6 in Philadelphia.
He played the lead in a grade-school production of You're
a Good Man, Charlie Brown and then appeared as a child
on television commercials and soap operas. He next acted
at Arena Stage in Washington, and toured with Theodore Bikel
in Fiddler on the Roof.
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Paul
Newman - 1925-2008
Really, really brief, silent, but unforgettable encounter:
We passed each other in the revolving door at Sardi's
in New York, and he flashed me that trademark smile through
the glass. Instant dazzle. This was impressive to me as I
heard later that he, like many (most?) celebrities, did not
especially relish being recognized in public. Newman was a
film star who retained his dignity. I passed Rock Hudson on
a theatre stairway once -- not so memorable. Establishing
Newman's
Own food brand, Paul dedicatred 100% of the profits
to charity, amounting $300 million as of 2010. Paul imortalized
himself as a very generous man.
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The
Two Michaels: Eisner
1942
and Ovits
1946
We met in the lobby of the
Kennedy Center at the Washington opening of Beauty and
the Beast. I was the guest of Mr. Eisner, CEO of Disney,
and his lovely wife, Jane. Their son, Breck, was my student
at Georgetown at the time. The Eisners were very warm and
gracious. Michael Ovits, then Disney President, seemed rather
distracted, and was only interested in how one of the magic
tricks in the show worked. Mirrors, Michael.
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Jacqueline
Kennedy Onassis - 1929-2004
I saw Mrs. Kennedy on a number occasions at The White House.
One afternoon during a rehearsal with The American Ballet,
I suddenly found her, with Caroline, sitting beside me on
one of the long upholstered benches. In her low purring voice
she asked, "Would you tell Caroline what this dance is
about?" On another occasion, I encountered her when she
had just alighted on the West Lawn by helicopter. Her hair
had been blown into a huge hurricane twist and she was laughing
delightfully.
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James
Rado (formerly Radomski) - 1932
He studied in Catholic University Speech and Drama Department
under Father Hartke, OP, when I was there. He rocketed to
fame, changing his name, and, with Jerry Ragni, creating HAIR
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Gerome
Ragni - 1935-1991
I knew Gerry as a friend of the Cole sisters. They used to
do off-hand "performace art", like finding mops
and buckets in a corner of Union Station, picking them up
and continguing mopping the floor. One gloomy, rainy Saturday,
Gerry took us to the lodgings of elderly couple he had discovered
on Dupont Circle. They unpacked ancient marionettes, and Gerry
led in improvisatory theatre. His creativity and love of adventure
were remarkable and infectious. |
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Cathy
Rigby - 1952
America's Peter Pan, Ms. Rigby has played the leading
role in the musical thousands of times, certainly a record
that would be very, very hard to beat. The musical demands
not only singing and acting, but being adept at acrobatics
and high-wire-flying, in which a misstep could cause a sprained
ankle -- or a broken back. She is a real trouper, and, in
person -- after an exhausting performance in Branson, Missouri,
2010, -- relaxed, energetic, completely charming and, uh,
well, down-to-earth.
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Chita
Rivera - 1933
Ms. Rivera kindly agreed to be the guest of honor
at a National Theatre Donor Thank You dinner some years
ago. It was my pleasure to "collect her" at the
train station upon her arrival from New York. She is as
delightful and sharp in person as in public persona,
and it was a pleasure to talk with her. She, of course,
charmed everyone at the dinner.
Talent + Substance. |
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Inga
Rundvold - 1920-2004
The
first summer that I spent in Washington, DC, in 1954, I
had a job as a floor manager for WRC-TV, Channel 4. Each
Friday we had a program called Inga's Angle. Our
glamorous star was the wife of a Washington diplomat. Occasionally,
she "cooked," actually putting together a cake
or pie prepared for her. She sometimes arrived late and
was frantic to be instructed in what she was to do with
"her" cooking. On camera, whe was composed and
convincing.
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Antonin
Scalia - 1936
When the sitting Justice of the Supreme Court was a student,
I directed him in the lead role of a play about the Jesuits
called The First Legion. Nino was an intense, serious
student who knew his lines, always carried a book, and kept
seriously busy studying whenever he was off-stage. He was
prompt, alert, took direction, and was overall an impressive
actor and a pleasure to deal with.
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Gerald
Schoenfeld - 1924-2008
Jerry, longtime Chairman of the Shubert Organization, began
his career as a young attorney for the tempestuous Shubert
brothers, and inherited their drive and intimidating vitality.
We had a long and genial, if occasionally tempestuous, relationship
when Shubert took over management of the National Theatre.
I respected Jerry, and we joked together about our bald heads.
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Thomas
Schumacher -
Tom is the President of the Disney Theatrical Group,
responsible for the presentation of Disney productions on
Broadway. My friend, Ron Logan, was the head of Disney World
in Florida, when he convinced Michael Eisner to send the
theme park Beauty and the Beast to Broadway. Since
then Tom has brought The Lion King, The Little Mermaid,
Mary Poppins and other shows to Broadway, to London
and to Europe, and sent them on American tours.
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Penny
Singleton - 1908-2003
Miss Singleton played Blondie in the "Dagwood
and Blondie" films. When I was introduced to her as the
Lighting Director at the Starlight Theater in Kansas City,
where she was to be Adelaide in Guys and Dolls, she
smiled seductively and purred, "Mother likes Shubert
Pink." I bathed her in "Shubert Pink" and she
sparkled.
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Oliver
Smith - 1918-1984
I worked closely with the urbane and charming Mr. Smith when
he created a new interior design for the National Theatre
in the late 1970's. He had designed dozens of Broadway musicals,
films (Guys and Dolls, The Band Wagon, Oklahoma!, Porgy
and Bess), and operas. Throughout his career, he was
nominated for twenty-five Tony Awards, often multiple times
in the same year, and won ten. He was nominated for the Academy
Award for Best Art Direction for his work on Guys and
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Elizabeth
Taylor - 1932-2011
I met the famed American Beauty at a National Theatre reception
in her honor. Elizabeth gave you 100% attention with her purring
voice, while riveting you with her laser intensity violet
eyes. I don't remember what we talked about, but the moment
was entrancing - and then suddenly, fleetingly - she was gone.
I encountered her again at a party at her home in Virginia,
when she was married to Senator John Warner. Unforgettable:
star quality personified.
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Norma
Terris - 2004-1989
Miss Terris originated the role of Magnolia in
Showboat at the National Theatre in 1927. When
I was directing the show for The American Light Opera
Company in 1961, I invited her to come from her home
in Connecticut to one of our performances. She arrived on
the train, elegant, all in black, alone, and veiled. she
reminisced about the original production. Climbing atop
a piano at a cast party after the show, she did a devastating
impersonation of an inebriated Helen Morgan (who had created
the role of Julie) singing "Bill" from the show.
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